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	<title>Comments for Culturebot</title>
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	<description>All the culture your circuits can handle</description>
	<lastBuildDate>Mon, 14 May 2012 20:53:57 +0000</lastBuildDate>
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		<title>Comment on Can Un-Licensed Therapy Be Performance Art? Can Prostitution? by What Performance Art Can Learn Contemporary Performance Practices&#160;&#124;&#160;Culturebot</title>
		<link>http://www.culturebot.net/2012/05/13501/can-un-licensed-therapy-be-performance-art-can-prostitution/comment-page-1/#comment-60488</link>
		<dc:creator>What Performance Art Can Learn Contemporary Performance Practices&#160;&#124;&#160;Culturebot</dc:creator>
		<pubDate>Mon, 14 May 2012 20:53:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.culturebot.net/?p=13501#comment-60488</guid>
		<description>[...] as I argued recently: By and large, such work [performance art] insists upon an understanding or interpretation of its [...]</description>
		<content:encoded><![CDATA[<p>[...] as I argued recently: By and large, such work [performance art] insists upon an understanding or interpretation of its [...]</p>
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		<title>Comment on Visual Art Performance vs. Contemporary Performance by What Performance Art Can Learn Contemporary Performance Practices&#160;&#124;&#160;Culturebot</title>
		<link>http://www.culturebot.net/2011/11/11663/visual-art-performance-vs-contemporary-performance/comment-page-1/#comment-60487</link>
		<dc:creator>What Performance Art Can Learn Contemporary Performance Practices&#160;&#124;&#160;Culturebot</dc:creator>
		<pubDate>Mon, 14 May 2012 20:51:10 +0000</pubDate>
		<guid isPermaLink="false">http://culturebot.net/?p=11663#comment-60487</guid>
		<description>[...] Culturebot in our exploration of the convergence of performance practices and discourse. First, as Andy argued some months ago, when he wrote: It is as if when visual artists and curators “discover performance” they think [...]</description>
		<content:encoded><![CDATA[<p>[...] Culturebot in our exploration of the convergence of performance practices and discourse. First, as Andy argued some months ago, when he wrote: It is as if when visual artists and curators “discover performance” they think [...]</p>
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		<title>Comment on Culturebot&#8217;s January Festival Resources Page by What Performance Art Can Learn Contemporary Performance Practices&#160;&#124;&#160;Culturebot</title>
		<link>http://www.culturebot.net/2012/01/12121/culturebots-january-festival-resources-page/comment-page-1/#comment-60486</link>
		<dc:creator>What Performance Art Can Learn Contemporary Performance Practices&#160;&#124;&#160;Culturebot</dc:creator>
		<pubDate>Mon, 14 May 2012 20:49:22 +0000</pubDate>
		<guid isPermaLink="false">http://culturebot.net/?p=12121#comment-60486</guid>
		<description>[...] only had the bandwidth to touch on it briefly at the time, but I think that, by contrasting it with the reductive principles at play in these discussions of [...]</description>
		<content:encoded><![CDATA[<p>[...] only had the bandwidth to touch on it briefly at the time, but I think that, by contrasting it with the reductive principles at play in these discussions of [...]</p>
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		<title>Comment on Can Un-Licensed Therapy Be Performance Art? Can Prostitution? by R Lewis</title>
		<link>http://www.culturebot.net/2012/05/13501/can-un-licensed-therapy-be-performance-art-can-prostitution/comment-page-1/#comment-60395</link>
		<dc:creator>R Lewis</dc:creator>
		<pubDate>Fri, 11 May 2012 15:42:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.culturebot.net/?p=13501#comment-60395</guid>
		<description>&#8220;Making money is art and working is art, and good business is the best art.&#8221; 
-Andy Warhol 
 
just saw this quote on another blog and thought it seemed appropriate to this discussion. </description>
		<content:encoded><![CDATA[<p>&ldquo;Making money is art and working is art, and good business is the best art.&rdquo;<br />
-Andy Warhol </p>
<p>just saw this quote on another blog and thought it seemed appropriate to this discussion. </p>
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		<title>Comment on Can Un-Licensed Therapy Be Performance Art? Can Prostitution? by Jamesrudy</title>
		<link>http://www.culturebot.net/2012/05/13501/can-un-licensed-therapy-be-performance-art-can-prostitution/comment-page-1/#comment-60374</link>
		<dc:creator>Jamesrudy</dc:creator>
		<pubDate>Fri, 11 May 2012 05:30:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.culturebot.net/?p=13501#comment-60374</guid>
		<description>Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern. 
        Alfred North Whitehead (1861 - 1947) </description>
		<content:encoded><![CDATA[<p>Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.</p>
<p>        Alfred North Whitehead (1861 &#8211; 1947) </p>
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		<title>Comment on Can Un-Licensed Therapy Be Performance Art? Can Prostitution? by Sarah White</title>
		<link>http://www.culturebot.net/2012/05/13501/can-un-licensed-therapy-be-performance-art-can-prostitution/comment-page-1/#comment-60359</link>
		<dc:creator>Sarah White</dc:creator>
		<pubDate>Thu, 10 May 2012 18:44:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.culturebot.net/?p=13501#comment-60359</guid>
		<description>Thanks so much, Jeremy, for the thoughtful article. I think you touch on many of the key issues, and your historical placement of what I do is very prescient. It&#039;s been interesting to see all of this unfold, because in my statements I made clear that the director banned me from the WCAOS event because, as he said in the email stating my removal, he considered the image I submitted as my feature piece to be an &quot;ad&quot; and not art and he felt I was a &quot;commercial entity&quot; and &quot;not an artist.&quot; My issue has always been with those claims, and I&#039;ve never actually claimed that what I do as a Naked Therapist should be considered art (and while I also wouldn&#039;t contest such a claim were it made by others, I think that discussion is an interesting one, but the issue of the moment for me is whether or not the piece I submitted is an ad or art and whether or not I am a commercial entity or an artist). I was not going to offer Naked Therapy sessions as performance at my Open Studio event. Rather, I was going to live stream the event onto the web at TheNakedTherapist.org and I was going to chat with some of my viewers about art and arousal as Sarah White - The Naked Therapist. This would not involve my getting naked as I only do that in private therapy sessions. My belief is that this whole storm got stirred up because I placed TheNakedTherapist.org on my piece of feature art, thereby rendering it, in the director&#039;s opinion, non-art, which is to me the most interesting assertion in all of this. I use my url...and my face, my body, Internet icons - as part of my artistic vocabulary. My url is a symbol of a controversy, it is part of my identity, it is a piece of beauty, it is a political statement. When those two words - naked and therapy - are put together, it gets people thinking, feeling and talking, and that&#039;s why I use it in my art. For instance, the piece I submitted for my feature art for WCAOS is part of a larger series called &quot;Hello, My Name Is...&quot; in which I use some of these symbols in pieces of art. I did not put TheNakedTherapist.org on my feature art to advertise my Naked Therapy practice. As I say in my response to the censoring, were Damien Hirst to create a visual art piece on which TheRichestArtist.org appeared on an orange field, it would, in my opinion, be taken for art, even if that url was a shop on which one could buy Damien Hirst&#039;s works. People would take it for a shrewd comment on commerce in the art world. I, on the other hand - and I believe it&#039;s both because I am a woman whose profession is deemed by some to be an illegitimate and illegitimizing activity and that I am an &quot;unestablished&quot; artist who&#039;s playing with the line between commerce and art - am told my piece is not art and that I am not an artist. That is the central issue in all of this, and the one that I think we should be discussing, as you do so well in this piece. So, thanks again! </description>
		<content:encoded><![CDATA[<p>Thanks so much, Jeremy, for the thoughtful article. I think you touch on many of the key issues, and your historical placement of what I do is very prescient. It&#039;s been interesting to see all of this unfold, because in my statements I made clear that the director banned me from the WCAOS event because, as he said in the email stating my removal, he considered the image I submitted as my feature piece to be an &quot;ad&quot; and not art and he felt I was a &quot;commercial entity&quot; and &quot;not an artist.&quot; My issue has always been with those claims, and I&#039;ve never actually claimed that what I do as a Naked Therapist should be considered art (and while I also wouldn&#039;t contest such a claim were it made by others, I think that discussion is an interesting one, but the issue of the moment for me is whether or not the piece I submitted is an ad or art and whether or not I am a commercial entity or an artist). I was not going to offer Naked Therapy sessions as performance at my Open Studio event. Rather, I was going to live stream the event onto the web at TheNakedTherapist.org and I was going to chat with some of my viewers about art and arousal as Sarah White &#8211; The Naked Therapist. This would not involve my getting naked as I only do that in private therapy sessions. My belief is that this whole storm got stirred up because I placed TheNakedTherapist.org on my piece of feature art, thereby rendering it, in the director&#039;s opinion, non-art, which is to me the most interesting assertion in all of this. I use my url&#8230;and my face, my body, Internet icons &#8211; as part of my artistic vocabulary. My url is a symbol of a controversy, it is part of my identity, it is a piece of beauty, it is a political statement. When those two words &#8211; naked and therapy &#8211; are put together, it gets people thinking, feeling and talking, and that&#039;s why I use it in my art. For instance, the piece I submitted for my feature art for WCAOS is part of a larger series called &quot;Hello, My Name Is&#8230;&quot; in which I use some of these symbols in pieces of art. I did not put TheNakedTherapist.org on my feature art to advertise my Naked Therapy practice. As I say in my response to the censoring, were Damien Hirst to create a visual art piece on which TheRichestArtist.org appeared on an orange field, it would, in my opinion, be taken for art, even if that url was a shop on which one could buy Damien Hirst&#039;s works. People would take it for a shrewd comment on commerce in the art world. I, on the other hand &#8211; and I believe it&#039;s both because I am a woman whose profession is deemed by some to be an illegitimate and illegitimizing activity and that I am an &quot;unestablished&quot; artist who&#039;s playing with the line between commerce and art &#8211; am told my piece is not art and that I am not an artist. That is the central issue in all of this, and the one that I think we should be discussing, as you do so well in this piece. So, thanks again! </p>
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		<title>Comment on Can Un-Licensed Therapy Be Performance Art? Can Prostitution? by R Lewis</title>
		<link>http://www.culturebot.net/2012/05/13501/can-un-licensed-therapy-be-performance-art-can-prostitution/comment-page-1/#comment-60357</link>
		<dc:creator>R Lewis</dc:creator>
		<pubDate>Thu, 10 May 2012 18:33:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.culturebot.net/?p=13501#comment-60357</guid>
		<description>Thanks for this well-thoughtout post. A bit of a wide bearth, but this issue does have many angles. Made me thing of 2 old sayings: &quot;You don&#039;t pay for the sex, you pay them to leave.&quot; So, it&#039;s great to read about something where it&#039;s not the sex that is dirty; it&#039;s the capitalism. And, &quot;originality is lack of information.&quot; I know there was even earlier, but this recalls for me Annie Sprinkle&#039;s work and Jennifer Blowdryer at the Harlequin Adult Theater before Guiliani closed it down. I don&#039;t know if White&#039;s work was art before I read this post, but now it&#039;s just a matter of whether it&#039;s good art or bad art.  </description>
		<content:encoded><![CDATA[<p>Thanks for this well-thoughtout post. A bit of a wide bearth, but this issue does have many angles. Made me thing of 2 old sayings: &quot;You don&#039;t pay for the sex, you pay them to leave.&quot; So, it&#039;s great to read about something where it&#039;s not the sex that is dirty; it&#039;s the capitalism. And, &quot;originality is lack of information.&quot; I know there was even earlier, but this recalls for me Annie Sprinkle&#039;s work and Jennifer Blowdryer at the Harlequin Adult Theater before Guiliani closed it down. I don&#039;t know if White&#039;s work was art before I read this post, but now it&#039;s just a matter of whether it&#039;s good art or bad art.  </p>
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		<title>Comment on In the Middle of Everything: Pavel Zustiak’s &#8220;Amidst&#8221; by Pavel Zuštiak on &#8220;The Painted Bird&#8221; Trilogy &#160;&#124;&#160;Culturebot</title>
		<link>http://www.culturebot.net/2011/06/10996/in-the-middle-of-everything-pavel-zustiak%e2%80%99s-amidst/comment-page-1/#comment-60350</link>
		<dc:creator>Pavel Zuštiak on &#8220;The Painted Bird&#8221; Trilogy &#160;&#124;&#160;Culturebot</dc:creator>
		<pubDate>Thu, 10 May 2012 15:33:29 +0000</pubDate>
		<guid isPermaLink="false">http://culturebot.net/?p=10996#comment-60350</guid>
		<description>[...] Review of Amidst (June 2011)  AKPC_IDS += &quot;13499,&quot;;Popularity: 1% [?]Share this:EmailPrintFacebookDiggStumbleUponReddit [...]</description>
		<content:encoded><![CDATA[<p>[...] Review of Amidst (June 2011)  AKPC_IDS += &quot;13499,&quot;;Popularity: 1% [?]Share this:EmailPrintFacebookDiggStumbleUponReddit [...]</p>
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		<title>Comment on Can Un-Licensed Therapy Be Performance Art? Can Prostitution? by Andy Horwitz</title>
		<link>http://www.culturebot.net/2012/05/13501/can-un-licensed-therapy-be-performance-art-can-prostitution/comment-page-1/#comment-60344</link>
		<dc:creator>Andy Horwitz</dc:creator>
		<pubDate>Thu, 10 May 2012 13:16:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.culturebot.net/?p=13501#comment-60344</guid>
		<description>Hey Jeremy -  
 
Just a note - Ms. White is treading on familiar territory with a new twist. The &quot;unlicensed psychotherapy as performance art thing&quot; has been done for quite awhile. Lisa Levy has been doing it for about ten years. &lt;a href=&quot;http://www.lisalevyindustries.com/&quot; rel=&quot;nofollow&quot;&gt;http://www.lisalevyindustries.com/&lt;/a&gt; 
 
Also, artist Andrea Fraser did &quot;sex for money as art&quot; thing in a similar form by videotaping herself having sex with a collector in a hotel room - &lt;a href=&quot;http://en.wikipedia.org/wiki/Andrea_Fraser&quot; rel=&quot;nofollow&quot;&gt;http://en.wikipedia.org/wiki/Andrea_Fraser&lt;/a&gt; 
 
In terms of including ads for businesses in an arts environment there was a similar controversy a few years ago in the San Francisco Fringe Festival when  Ian Woodall, a British motivational speaker presented his motivational speech The Tao of Everest as a solo show:  &lt;a href=&quot;http://www.artsjournal.com/lies/2009/02/a_debate_sparked_by_andorra/&quot; rel=&quot;nofollow&quot;&gt;http://www.artsjournal.com/lies/2009/02/a_debate_...&lt;/a&gt; 
 
 </description>
		<content:encoded><![CDATA[<p>Hey Jeremy &#8211;  </p>
<p>Just a note &#8211; Ms. White is treading on familiar territory with a new twist. The &quot;unlicensed psychotherapy as performance art thing&quot; has been done for quite awhile. Lisa Levy has been doing it for about ten years. <a href="http://www.lisalevyindustries.com/" rel="nofollow">http://www.lisalevyindustries.com/</a> </p>
<p>Also, artist Andrea Fraser did &quot;sex for money as art&quot; thing in a similar form by videotaping herself having sex with a collector in a hotel room &#8211; <a href="http://en.wikipedia.org/wiki/Andrea_Fraser" rel="nofollow">http://en.wikipedia.org/wiki/Andrea_Fraser</a> </p>
<p>In terms of including ads for businesses in an arts environment there was a similar controversy a few years ago in the San Francisco Fringe Festival when  Ian Woodall, a British motivational speaker presented his motivational speech The Tao of Everest as a solo show:  <a href="http://www.artsjournal.com/lies/2009/02/a_debate_sparked_by_andorra/" rel="nofollow"></a><a href="http://www.artsjournal.com/lies/2009/02/a_debate_" rel="nofollow">http://www.artsjournal.com/lies/2009/02/a_debate_</a>&#8230; </p>
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		<title>Comment on The Piss Christ Test by Can Un-Licensed Therapy Be Performance Art? Can Prostitution?&#160;&#124;&#160;Culturebot</title>
		<link>http://www.culturebot.net/2011/09/11172/the-piss-christ-test/comment-page-1/#comment-60328</link>
		<dc:creator>Can Un-Licensed Therapy Be Performance Art? Can Prostitution?&#160;&#124;&#160;Culturebot</dc:creator>
		<pubDate>Thu, 10 May 2012 02:38:09 +0000</pubDate>
		<guid isPermaLink="false">http://culturebot.net/?p=11172#comment-60328</guid>
		<description>[...]  [...]</description>
		<content:encoded><![CDATA[<p>[...]  [...]</p>
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